{"product_id":"602567750543","title":"AMBIENT 1: MUSIC FOR AIRPORTS | VINYL RECORD (LP)","description":"\u003cp\u003e180 gram Vinyl 2018 Standard Edition. Released 16th November 2018. Though not the earliest entry in the genre (which Eno makes no claim to have invented), â€˜Ambient 1 (Music For Airports)â€™ was the first album ever to be explicitly labelled â€˜ambient musicâ€™. Eno had previously created similarly quiet, unobtrusive music on albums â€˜Evening Starâ€™, â€˜Discreet Musicâ€™, and Harold Budd's â€˜The Pavilion of Dreamsâ€™ (which he produced), but this was the first album to give it precedence as a cohesive concept. He gave his explanation of and aspirations for ambient music in this short 1978 essay. Eno conceived the idea for â€˜Music For Airportsâ€™ while spending several hours waiting at Cologne Bonn Airport, becoming annoyed by the uninspired sound and the atmosphere it created. The recording was designed to be continuously looped as a sound installation, with the intent of defusing the tense, anxious atmosphere of an airport terminal, by avoiding the derivative and familiar elements of typical â€˜canned musicâ€™. The album features contributions from Robert Wyatt and Rhett Davies. â€˜Ambient 1 (Music For Airports)â€™ was followed by Harold Budd and Brian Enoâ€™s â€˜Ambient 2 (The Plateaux of Mirror)â€™ and â€˜Ambient 3 (Day Of Radiance)â€™ by Laraaji, which was also produced by Eno. Ambient 1: Music For Airports\u003c\/p\u003e","brand":"ENO, BRIAN","offers":[{"title":"Default Title","offer_id":46062116372725,"sku":"602567750543","price":29.86,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0681\/9325\/5669\/files\/0602567750543.jpg?v=1731290143","url":"https:\/\/thevinylvista.com\/products\/602567750543","provider":"Vinyl Vista","version":"1.0","type":"link"}